CIME 2023

1.Annette Vande Gorne – VOXALIA2 Cathédrales (M&R,Belgium)

2.Antonio Rusek – Pandemia (AARSOM,Mexico)

3.Barry Truax – What The Waters Told Me (Canada)

4.Danylo Pertsov – Meisa (UAEM,Ukraine)

5. Fernando Hester – Hush (TempoReale,Italy)

6. Francis Dhomont – Phœnix XXI (France)

7.John Gibson – In Summer Rain (SEAMUS,USA)

8.Jon Christopher Nelson – Ripples in the Fabris of Space – Time (CEMIUNT,USA)

9.Julien Guillamat – 2nd_Mouvement_Symphonie_de_l_etang (MAS,France)

10.Miłosz Kowalewski – noisebox_1 (PSeME,Poland)

11.Nikos Stavropoulos – Khemenu (HELMCA,Greece)

12.Wim Daeleman – Et on recommence, jusqu’à (FeBeME,Belgium)

CIME/ICEM – International Confederation of Electroacoustic Music

Audiomat Selection CIME2023

M&R-MusiquesandRecherches,Ohain,Belgium

AARSOM -AsociaciondeartesonoroMexicano,Mexico

UAEM -UkrainienAs sociationofElectroacousticMusic,Kyiv,Ukraine

Tempo Reale – Tempo Reale, Florence,Italy

SEAMUS – The Society for Electro-Acoustic Music in the United States, USA

MAS – Maison des arts sonores, France

CEMIUNT – Center for Experimental Music and Intermedia, University of North Texas, Denton,USA

PSeME – Polish Society of Electroacoustic Music, Poland

HELMCA – Helenic Electroacoustic Music Composers’ Asociation, Greece

FeBeME – Fédération Belge de Musique Electroacoustique, Brusels,Belgium

Electroacoustic Music Days, Rethymno, Crete

htps:/meres-icem2023.hmu.gr

41th General Assembly of CIME/ICEM 2023