Acousmonium

CIME/PSeME/SME

Acousmonium

Kraków 2019

Selection of CIME program during Acousmonium Conference in Kraków 11-13.10.2019 CIME/PSeME/SME concerts, conference, Generl Assembly of CIME/ICEM coordinated by the Studio of Electroacoustic Music at the Academy of Music in Krakow Polish Society of Electroacoustic Music International Confederation of Electroacoustic Music www.sme.amuz.krakow.pl www.pseme.com www.cime-icem.net

CD1 – Audio CD

1. Elsa Justel – Cercels et surfaces (2013) 14:52 FARME AR

2. Jon Christopher Nelson – When Left To His Own Devices (2018) 8:40 CEMI UNT USA

3. Manuel Rocha Iturbide – Trama de Tramas (2018) 8:52 AARSOM MEX

4. Anton Stuk – The last and the Greatest Work of Oboe (2019) 6:42 UAEM UA

5. Miguel Azguime – SheBeingBrand (2010-2014) 6:00 Miso Music P

6. Louise Rossiter – Homo Machina (2018) 10:05 BEAN GB

7. Arsalan Abedian – Cstück Nr.2 (2015) 5:04 Spectro

IR FARME – Federacion Argentina de Musica Electroacustica, Argentina

CEMI UNT – Center for Experimental Music and Media, University of North Texas, Denton, USA

AARSOM – Asociacion de artesonoro Mexicano, Mexico

UAEM – Ukrainien Association of Electroaocustic Music, Ukraina

Miso Music – Portugal

BEAN – British ElectroAcoustic Network, Great Britain

Spectro Center for New Music, Tehran, Iran

CD 2 – Enhanced Audio CD
audio
1. Elżbieta Sikora – Aquamarina (1998) 10:00 PSeME PL
2. Catalina Leonor Peralta Caceres – … Per DUO BASSO II, quasi recitativo
for cello, double-bass and live electronics (1998/2019) 9:45 GrupLac CO
      Hans Rincón – cello, Yadira Rincón – double-bass, Catalina Peralta – live electronics, Jeisson Vargas – mastering
3. Philippos Theocharidis – Baza (Debris) (2016) 3:45 HELMCA GR
video
Nikolai Popov – Edit(a)Fill (2015) 7:10 CEAMMC RU
PSeME – Polish Society for Electroacoustic Music, Poland
GrupLac – GrupLac Investigación y Creación, Bogota, Colombia
HELMCA – Hellenic Electroacoustic Music Composers’ Association, Greece
CEAMMC – Centre for ElectroAcoustic Music, Moscow Conservatory, Russia