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Muzyka Centrum Art Society
HEVRE
The Krzysztof Penderecki Academy of Music in Krakow
Jan Matejko Academy of Fine Arts in Krakow
Pałac Potockich |
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Audio Art 2024
32. Audio Art Festival
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Audio Art is an experimental and postmodernist art of the close of XX century and the beginning of the XXI century.
Audio Art is an integration of sound and visual art. Presentation of Audio Art appears in form of the concert,
performance and installation. Audio Art creates new concept of sound source: as an object and musical instrument
in certain space and time. Audio Art is a "one person art": composer, designer and performer unify the whole process
of art creation. Audio Art uses low and high technology. Audio Art Festival presents individual artists from all over the world.
Festival also presents other non-audio art events extending the whole image of the art based on sound.
Audio Art Festival events are webcasted live.
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Festiwal Audio Art w Krakowie odbywa się nieprzerwanie od 1993 roku. Premierowe koncerty, instalacje i performansy dotyczą przeglądu najważniejszych projektów sztuki dźwiękowej i muzyki współczesnej z całego świata. Ważne miejsce w programie zajmują polskie premiery o szczególnym wymiarze. Definiują nowy paradygmat sztuki współczesnej. Zawierają elementy powiązane z tożsamością artysty, jego szczególnej misji w formowaniu lokalnej kultury. Porządkują świat postpandemiczny z zabezpieczeniem dziedzictwa kulturowego. Kreują nowe formy sztuki wyrafinowanej, zaangażowanej wobec współczesnych wyzwań stawianych przez migrację i zagrożenia związane z wojną. Koncerty i instalacje prezentowane będą m.in. w Pałacu Potockich, Hevre, Akademii Muzycznej, Auli Kopernika 15 oraz w sieci.
Wydarzenia Festiwalu Audio Art są transmitowane na żywo w Internecie.
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Wednesday, 13 November / listopad (środa) |
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Friday, 15 November / listopad (piątek) |
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Moniek Darge/Godfried-Willem Raes (Ghent) Logos and Plus Minus robot - Audio Art Conference | |
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Ears, eyes, nose (Krakow) Marek Chlanda, Marek Chołoniewski - sound installation (open Nov.16-24.2024, 2.00P.M.-5.30P.M.)
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Hypercycle (Poznań) Aleksandra Słyż - interactive installation (open Nov.16-24.2024, 2.00P.M.-5.30P.M.)
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Jacek Złoczowski - posthuman urban landscapes (open Nov.16-24.2024, 2.00P.M.-5.30P.M.)
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Andrzej Wasilewski - sound installation, part of the project curated by Stanisław Ruksza „The Absolute Factory" (open Nov.16-24.2024, 2.00P.M.-5.30P.M.) | |
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Jena Jang - voice, dance, electronics | |
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Beelocation (Poznań) Patryk Lichota - interactive biological perfomance for 2 theremins, motion sensors and light | |
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Moniek Darge, Godfried-Willem Raes - robots, installation | |
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Saturday, 16 November / listopad (sobota) |
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Martyna Zakrzewska & Anna Kwiatkowska - well temperated upright piano, violin and electronics; program: Heiner Goebbels - Six Bagatellen for violin and sampler, Sławek Wojciechowski - Elastic fictions for violin, piano, synthesizer and MIDI keyboard, Eivind Buene - Mixed Metaphores for violin and Minimoog, John Cage - Six melodies, version for violin and synthesizer, Aleksandra Słyż - Seven figures for violin, detuned upright piano and live-electronics
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Ignaz Schick - turntable, voltage controlled sampler, Carl Ludwig Hübsch voice
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Always Be Prepared (Brussels) Barbara Drazkov - upright piano prepared, harmonium | |
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Sunday, 17 November / listopad (niedziela) |
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Barbara Drazkov (Brussels) Always be prepared - Audio Art Conference | |
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Embodied Human-Computer Interaction in Vocal Music Performance - Audio Art Festival
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Mat Barski & Marcin Karczewski - guitar, electronics, Ania Chmiel - overhead visuals | |
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Franziska Baumann - Solo concert for voice, sensor live electronic & ML-tools | |
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Peter Kutin, Patrik Lechner, Mathias Lenz - Sonic body, video, kinetic sound object | |
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Wednesday, 20 November / listopad (środa) |
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Joanna Stępalska-Spix (Koeln) Flautonomy - new works for bass flute and electronics - Audio Art Conference | |
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Thursday, 21 November / listopad (czwartek) |
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Michał Libera (Warszawa) Listening - A Brief History of Violence and Imperialism - Audio Art Conference | |
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GrupLab - Plejrek 437;
Marek Chołoniewski, Paweł Feikisz, Michał Jandura, Marcin Janus, Piotr Madej, Zsofia Santos, Alessio Tucciarelli, Arcadioo Violin, Beata Winiarska
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Michał Libera - A sound travel diary following the traces of rivers and dams - experimental radio drama, installation | |
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Joanna Stępalska-Spix - bass flute, electronics; program: Jakub Borodziuk: Kyx, Maciej Jabłoński: Soliloquium I, Leanna Keith: Home, Joanna Stępalska-Spix: Leisure, Ewa Trębacz: Lullabies for Nibru | |
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Oktawia i Marcin Pączkowski Duo, interaction, electronics | |
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Kamer/Ton (Warszawa) Krzysztof Cybulski - audio-video feedback;
supported by The Ministry of Culture and National Heritage
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Ryan Ingebritsen & Shannon Budd - electronics and flute; program: Reparametrization 4.1 for flute and electronic manipulation in real time; Rag: A Panhandle Sampler for real time interaction (animations by Marcus Melton) | |
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electroacoustic marathon: Damian Raźny, Arthur Kauffman Novas, Szymon Golec, Marek Chołoniewski - We Mixed 32 Years of Audio Art into ONE Epic Track! (SME): Artur Lis - ἄβῠσσος (abyss)(PSeME); Franciszek Araszkiewicz - Kafka Kabaret (PSeME, Kraków); Mateusz Wit Bednarz - Thought Provoking (PSeME); Aleksandra Chciuk - Synagogue (PSeME); Colin Stokes - Our Little Ones’ Feet (CIME, CEMI UNT); Yevhenii Dubovyk - we are exhausted, but we have no right to be (ми виснажені, але не маємо жодного права на це) (CIME,UAEM); Todor Todoroff - Voices Part IV - Hallucinations (CEMI, FeBeME, Brussels); Vassilis Roupas - Hot Summer Night Revisited (CEMI, HELMCA, Rethymnon); Jon Christopher Nelson - Bang, Crunch, Bounce (CIME, CEMI UNT, Denton); Barry Wan - One Summer's Day I Was Hoping the Justice Will Be Served (SME, Praha); Dorota Błaszczak - Applauze (PSeME, Warszawa); Krzysztof Knittel - from my garbage – untitled impro scraps (PSeME, Warszawa); Dariusz Mazurowski - Sybil Vane’s Final Performance (PSeME, Gdańsk); Marzena Majcher - Body Music (PSeME, Warszawa); Lidia Zielińska - jako te białe myszki (PSeME, Poznań); Paulina Wacławik - Retrospection—Landscape I (PSeME, Leeds); Piotr Grella-Możejko - PutInPullOut (PSeME, Edmonton); Piotr Madej - W naszej nowej jaskini strumyk cicho szemrze (PSeME, Kraków) | |
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Friday, 22 November / listopad (piątek) |
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Reinhold Friedl (Berlin) Concrete Spatialization - the approach of "Golden Quinces Earthed" and "Eight Equidistant Pure Wave Oscillators, While Slipping Very Slowly To A Unison, Textually Spatialised On Eight Speakers, Concret, 60 Minutes” - Audio Art Conference | |
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Ryan Ingebritsen & Shannon Budd (Chicago) Being the Performer. Tips and Strategies to develop Auditory Kinesthesia in Interactive Performance - Audio Art Conference | |
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Masss (Kraków) Elektro set - the prototypical effect of the cooperative of Piotr Peszat, Aleksander Wnuk and Pierluigi da Palestrina | |
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Reinhold Friedl - concert/installation | |
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Wojtek Błażejczyk - string instruments & electronics | |
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Izabela Dłużyk - night field recording | |
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Saturday, 23 November / listopad (sobota) |
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Wojciech Błażejczyk (Warszawa) Liturgy of the Object. Composing for objectophony and orchestra - Audio Art Conference | |
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Qba Janicki (Bydgoszcz) Feedback loop and electromechanics as performance apparatus for amplified percussion - Audio Art Conference | |
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Julian Paprocki (Łódź) Relation and Dependence: Multimedia Music in the Age of Digital Panopticon - Audio Art Conference | |
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Julian Paprocki - contrabass clarinet & electronics; program: Jan Stańczyk – Ḥaqel D'ma, Michał Janocha – Alcheringa, Maciej Jabłoński – Pestera cu Oase, Ewa Trębacz – Tharsis, Wojciech Błażejczyk – Contrails | |
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Qba Janicki - objects, surfaces, strings, rotations, loops, distortion loops, electronics | |
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afterparty coordinated by Konrad Gęca, Szymon Hałaszuk, Igor Wiktor, Kamil Kowalski, Mikro Orchestra, no visuals, Myroslaw Trofymuk aka AЙKTRONER, KUSHNIR;22:15 Konrad + no; 22:45 Mikro Orchestra + no; 23:30 Igor + kamil; 00:15 Myroslav + no;01:00 KUSHNIR + no; 01:30 the end | |
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Sunday, 24 November / listopad (niedziela) |
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Hugo Morales Murguia (Mexico) Sound creation systems, instrumental objects and physical sound processing - Audio Art Conference | |
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Gośka Isphording - (PL/NL) - harpsichord , electronics,
Hugo Morales Murguía - ( MEX/ NL) - electronics,
Aled Smith - ( UK/PL) - electronics;
program:
Nina - Fukuoka - How to jouissance (2019); Hugo Morales Murguía - Game Over (2024);
Aled Smith - Lash Your Face With Razor Wire ( 2023);
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Josep-Maria Balanyà - piano | |
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Paweł Janicki, Mariusz Jura, Jarosław Kujda, Małgorzata Kujda, Tomasz Procków | |
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Małgorzata Heinrich - Maksimum dźwięku. Audio Art 2024
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articles by students with ChatGPT support
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