Muzyka Centrum Art Society
Academy of Music in Krakow
HEVRE
Bunkier Sztuki
Intermedia ASP |
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Audio Art 2019
27. Audio Art Festival
Kraków, 17. October – 24. November 2019
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Audio Art is an experimental and postmodernist art of the close of XX century and the beginning of the XXI century.
Audio Art is an integration of sound and visual art. Presentation of Audio Art appears in form of the concert,
performance and installation. Audio Art creates new concept of sound source: as an object and musical instrument
in certain space and time. Audio Art is a "one person art": composer, designer and performer unify the whole process
of art creation. Audio Art uses low and high technology. Audio Art Festival presents individual artists from all over the world.
Festival also presents other non-audio art events extending the whole image of the art based on sound.
Audio Art Festival events are webcasted live.
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Audio Art jest eksperymentalną i postmodernistyczną sztuką przełomu wieków.
Audio Art to integracja sztuk wizualnych z dźwiękowymi. Audio Art występuje w formie koncertów, performance i instalacji.
Audio Art tworzy nową koncepcję źródła dźwięku: obiektu i instrumentu muzycznego w określonej przestrzeni i czasie.
Audio Art jest sztuką personalną: kompozytor, konstruktor i wykonawca unifikują cały proces tworzenia i wykonania dzieła.
Audio Art używa prostej i zaawansowanej technologii.
Festiwal Audio Art prezentuje artystów z całego świata oraz ich premierowe projekty.
W ramach festiwalu odbywają się także prezentacje spoza nurtu Audio Art.
Wydarzenia Festiwalu Audio Art są transmitowane na żywo przez internet.
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Thursday, 17 October / październik (czwartek) |
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Wednesday, 13 November / listopad (środa) |
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Press Conference press conference | |
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Friday, 15 November / listopad (piątek) |
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Instant Csound: Harnessing the Signal Processing and Synthesis Power of Csound - in the Studio, and in Performance (Audio Art Conference) | |
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Edwin Van der Heide installation (till November 24, 11.00-19.00) | |
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Jan-Peter E.R. Sonntag, BOO84 (2017-2019), HD video based on NTSC Footage, two-channel sound / a composition for British Brass Band and tape, loop 3 min. 43sec. (till November 24, 11.00-19.00) | |
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Edwin van der Heide - electronics, Jan-Peter E.R. Sonntag - trombones; 8 channel spatial composition for trombones and electronics, duration 22 min. | |
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Stimulierte Emissionen klingen (Laser Harp) (AT / AR)
Leo Bettinelli - installation
(till November 16 at Hevre -1)
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Ignaz Schick - turntable performance
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Saturday, 16 November / listopad (sobota) |
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Jan-Peter E.R. Sonntag (Berlin) plasma & radiosonic compositions as a body adressier spacial art (Audio Art Conference)
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Edwin van der Heide (Rotterdam) Shifting Noise Planes (Audio Art Conference)
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Leo Bettinelli (AT/AR) circuslumineszenz (Audio Art Conference)
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18:00HEVREtickets 35/20 zł |
Heart (Bassano del Grappa) Simone Castellan - media project
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CLONING A DRAGON - Richard Boulanger & Berklee College of Music - Modular Csound with BioSensors and BrainWave Controllers Concert with Tomek Choloniewski - percussion | |
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Leo Bettinelli - performance/installation | |
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Sunday, 17 November / listopad (niedziela) |
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Josef Klammer / Seppo Gründler (Graz) Earphone Concert & Ambisonics (Audio Art Conference)
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Thierry Miroglio / Sophie Jégou (Paris)
Thierry Miroglio - Solo Percussion, Sophie Jégou - Dance and Choreography
programXU Yi - Saveur - Dance and Percussion - Polish Premiere; Gérard GRISEY - Stèle - percussion and electronics - Polish Premiere; Adam STANOVIC Exchanges of Pace - electronics and vibraphon - World Premiere; Paulo C. CHAGAS Sisyphus of the Ear - Percussion, Film and electronics - Film by Johannes Birringer - Polish Premiere; Bruno MANTOVANI Le grand Jeu - dance, percussion, electronics - pictures creation Marco Del Re ( Production Galerie Maeght )
- Polish Premiere
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20:00HEVREtickets 35/20 zł |
Konstruktion#3 (Berlin) Annette Krebs - objects, electracoustics
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Seppo Gründler: extended-guitar, elektronic, gadgets; Josef Klammer: e-drums, toys and sensors; no speaker concert / 100 earphones network | |
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Rafał Zapała - transhuman installation (till November 24 at Hevre -1) | |
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Monday, 18 November / listopad (poniedziałek) |
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Yurij Bulka (Lviv) Super Collider and Net workshops (Audio Art Conference)
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Tuesday, 19 November / listopad (wtorek) |
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Yurij Bulka (Lviv) Super Collider and Net workshops (Audio Art Conference)
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16:00–19:00Hevrefree entrance |
Scrolling to Zero (Poznań) Rafał Zapała - transhuman installation (till November 24 at Hevre -1)
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Wednesday, 20 November / listopad (środa) |
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Yurij Bulka (Lviv) Super Collider and Net workshops (Audio Art Conference)
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17:30–18:00Hevrefree entrance |
Scrolling to Zero (Poznań) Rafal Zapała - transhuman installation (till 24.11) | |
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Thursday, 21 November / listopad (czwartek) |
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Alex Nowitz (Potsdam) Multivocal Arts: Strategies towards radical vocality (Audio Art Conference)
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17:30–18:00Hevrefree entrance |
Scrolling to Zero (Poznań) Rafał Zapała transhuman installation (till 24.11) | |
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18:00HEVREtickets 45/30 zł |
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Kreacje/Medytacje (Warszawa) Robert Jędrzejewski - cello
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Stanislaw Krupowicz, Marcin Bortnowski, Marcin Rupociński - AI based net performanceMarcin Rupociński – Hesychia-reflection na trio komputerowe (2017) 16’; Stanisław Krupowicz – TopLap Music na trio komputerowe (2009) 10’; Marcin Rupociński - d’Coding John na trio komputerowe (2009) 15’; Marcin Bortnowski - Cztery kwartety na trzy komputery (2017) 20’; | |
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Lorenzo Brusci, Yurij Bulka, Myroslaw Trofymuk - collective electronics, Artur Lis - video | |
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GrupLab Close Plejrek 188 - collective silent? no after 22 Francesco Altilio, Bożena Boba-Dyga, Lorenzo Brusci, Yurij Bulka, Marek Chołoniewski, Justin Grize, Kateryna Gryvul, Artur Lis, Piotr Madej, Marzena Majcher, Olga Matviychuk, Rina Mołczanowa, Anton Stuk, Miroslaw Trofymuk, Nastia Vorobiova, Marcel Windys, Andrzej Wojciechowski, Jin Woo, Dawid Wozniakowski and many others, all invited | |
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Olga Szymula children electro-opera presentation | |
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Friday, 22 November / listopad (piątek) |
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The HyperTheremin (Audio Art Conference) | |
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17:30–18:00Hevrefree entrance |
Scrolling to Zero (Poznań) Rafal Zapała transhuman installation (till 24.11) | |
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18:00HEVREtickets 40/25 zł |
Anna Zielińska - violin, objects, electronics | |
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KIng Midas - instruments, electronics
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Alex Nowitz - Vocal Space Lines for voice and live electronics (strophonion) with four loudspeakers | |
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Confederation of Electroacoustic Music CIME/ICEM, Polish Society of Electroacoustic Music PSEME, Studio of Electroacoustic Music SME - electroacoustic marathon; CIME: Louise Fristensky - Landscape with a Blue Flamingo CEMI/UNT USA, Joris de Laet - Etude aux inattendus FeBeME Belgia, Francis Dhomont - Machin de machine 2 Canada, Harold Vasquez-Castañeda - Residuo de Estrella Blanca GrupLac Colombia, Daniele Carcassi - Meniatico Tempo Reale Włochy, Anastasiia Bielitska - Rusalochka UAEM Ukraine, António Ferreira - Anthropocene Miso Music Portugal, Jacek Laaser - Teraz, BEAN UK; PSeME: Dorota Błaszczak - Wektory. Studium technologiczne Skalarów (Warszawa), Jarosław Siwiński - Wycinanka (Warszawa), Piotr Bednarczyk - node (Wrocław), Mateusz Bednarz - Calm Music part 3 (Kraków), Wojciech Błażejczyk - Egzorta (Warszawa), Piotr Grella-Możejko - Darg III (Katharina Paldauf) (Edmonton), Kamil Kosecki - Worm in your brain (Warszawa), Piotr Czerny - Muzyka do chronongramów nr 6 (Dębica), Michał Janocha - Spatial Counterpoint (Poznań); SME: Michał Pawełek - Interitio (Kraków), Piotr Peszat - Real Life Proof (Kraków) | |
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Saturday, 23 November / listopad (sobota) |
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Using Found Materials - Birmingham University (Audio Art Conference) | |
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Jarek Kordaczuk (Olsztyn) Zonia -- making of (Audio Art Conference)
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piano concert with media; in frame of Krakow City Artistic Grant 2019; Piotr Peszat: 2 szkice o ponadzłożoności rytmu (2012) na fortepian solo / 2 scetches about overcompexity of rhythm for piano solo; $w33t (2016, rev. 2019) na sampler, audio playback i live electronics / for sampler, audio playback and live electronics; Grocery Store Music #3 (2017) na fortepian i audio playback / for piano and audio playback; Structures for one piano (2019) na fortepian i sampler / for piano and sampler; Astral Dynamics (2019) na fortepian solo / for piano solo | |
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Dźwiękowisko / Sonic Playground (Warszawa) Dźwiękowisko / Sonic Playground; Ewa Liebchen – flutes, Anna Kwiatkowska – violin, Mikołaj Pałosz – cello, Krzysztof Knittel – electronics, Lilianna Krych - conductor; Grzegorz Rogala - video; students from Bronislaw Rutkowski Music School (concert organized by Harmony and Noises Music Foundation); Simon STEEN-ANDERSEN : Study for String In rument No.1 6’; Philippe HUREL : Trait d’union 14’; Krzysztof KNITTEL : Oneg Szabat 35’ (in frame of Composer’s Commission by Institute of Music and Dance / Ministry of Culture and National Heritage) | |
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20:30–21:00Hevretickets 25/10 zł |
Scrolling to Zero (Poznań) Rafał Zapała transhuman installation (till 24.11) | |
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21:00HEVREtickets 25/10 zł |
Nicolas Isherwood voice and processing, electronics performs World premiers of:Pamela Madsen - Now the Hour Bows Down/Tenebrae voice, video and processing - video by Quintan Ana Wikswo; Adam Vidiksis - Quanta voice and processing; Gene Coleman - Thrinos voice, electronics and video; Jan-Bas Bollen - Parrehsia voice and processing; Michael Zev Gordon - Nigun voice and processing; Jack van Zandt - Tha Painted Veil voice and processing; James Dashow - Soundings in Pure Duration no.8 voice and processing; Aleksandra Bilińska - ...qui est...voice and processing | |
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Sunday, 24 November / listopad (niedziela) |
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Matteo Marangoni (Haga) Self-Made Performative Media: image, sound, space and the body (Audio Art Conference)
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17:30–18:00Hevrefree entrance |
Scrolling to Zero (Poznań) Rafał Zapała transhuman installation (till 24.11) | |
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18:00HEVRE
tickets 45/30 zł |
Maniucha Bikont, Antoni "Baskak" Beksiak, Maciej Filipczuk, Marcin Lorenc - electromazurka (fiddles, electronics, voices) | |
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Matteo Marangoni & Dieter Vandoren - concert/performance/installation | |
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Dalila Kayros & Danilo Casti (Cagliari) voice and electronics | |
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M+F (Latina) Mirjana Nardelli & Francesco Altilio - silent electronics
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Zonia (Olsztyn) Sonokinetic spectacle for chamber ensemble, electronics, dancers and kinetic sensors
Jarek Kordaczuk - composer, Izabela Kościesza - libretto and choreography
Katarzyna Włodarczyk, Agnieszka Nowak, Izabela Kościesza - dance movement, Aureliusz Goliński - violin, Grzegorz Frankowski - double-bass, Tomasz Drozdek - percussion instruments, Jarek Kordaczuk - monoctone
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