Muzyka Centrum Art Society Krakow
Academy of Music in Krakow
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Audio Art 2013
21. Audio Art Festival
Kraków, 20. July – 24. November
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Audio Art is an experimental and postmodernist art of the close of XX century and the beginning of the XXI century.
Audio Art is an integration of sound and visual art. Presentation of Audio Art appears in form of the concert,
performance and installation. Audio Art creates new concept of sound source: as an object and musical instrument
in certain space and time. Audio Art is a "one person art": composer, designer and performer unify the whole process
of art creation. Audio Art uses low and high technology. Audio Art Festival presents individual artists from all over the world.
Festival also presents other non-audio art events extending the whole image of the art based on sound.
Audio Art Festival events are webcasted live.
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Audio Art jest eksperymentalną i postmodernistyczną sztuką przełomu wieków.
Audio Art to integracja sztuk wizualnych z dźwiękowymi. Audio Art występuje w formie koncertów, performance i instalacji.
Audio Art tworzy nową koncepcję źródła dźwięku: obiektu i instrumentu muzycznego w określonej przestrzeni i czasie.
Audio Art jest sztuką personalną: kompozytor, konstruktor i wykonawca unifikują cały proces tworzenia i wykonania dzieła.
Audio Art używa prostej i zaawansowanej technologii.
Festiwal Audio Art prezentuje artystów z całego świata oraz ich premierowe projekty.
W ramach festiwalu odbywają się także prezentacje spoza nurtu Audio Art.
Wydarzenia Festiwalu Audio Art są transmitowane na żywo przez internet.
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Saturday, 20 July / lipiec (sobota) |
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part of Jazz Night, Zoy Winterstein - piano, saxophone, electronics, Silke Kuhara - visuals
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Wednesday, 13 November / listopad (środa) |
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Friday, 15 November / listopad (piątek) |
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Between motion and sound - lecture | |
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The Mapping Process of Performance Parameters - lecture | |
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Untamed Choir - a multi channel audioinstallation
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Membrane - interactive audiovisual installation (open till November 24)
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Łukasz Furman - interactive installation (open till November 24)
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Restrained meters - with Wilson Mendieta - dance, electronic, interaction
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city installation based on repertoire of PSeME
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Saturday, 16 November / listopad (sobota) |
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Horst Rickels & Robert Pravda (Eindhoven) Sound in motion - workshops about The Leslies | |
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EEG workshops - Alvin Lucier Music for Solo Performer
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Forward to Zero - installation
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Horst Rickels, Robert Pravda
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Sunday, 17 November / listopad (niedziela) |
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Michal Fetler, Rafal Zapala - saxes, piano, electronics
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Share Music Sweden: Nigel Osborne - music, Veera Suvalo Grimberg - choreography, Spinn - dance group, Kroumata - percussion ensemble
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SKIN - performance/installation
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Krzysztof Pawlik & Malgorzata Dancewicz; field recording, modular systems, video
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Darek Makaruk - Kinect project
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Monday, 18 November / listopad (poniedziałek) |
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Blackout #27 - dark and silent concert
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An initiative of dynamic silence conceived and conducted by Tres.
Blackout Concerts consist of attentive listening to the machine produced buzz present in the venues where they take place as these sounds are gradually switched off based on their location and intensity. The concerts end when the maximum level of silence and darkness is reached.
By doing so, we experience the surgical dissection of the ambient sounds pervasive throughout our lives: the random mass of blows and hums that fill the rooms where machines are running at work and at home.
During the process of gradually switching off these machines and lights, we experience the discovery of clearer, better defined soundscapes, each time holding a greater presence of silence. The final destination of this audio voyage is darkness and the new resulting atmosphere of regression to silence in its natural threshold where the quality of listening becomes perfect.
However, this description does not refer to cases where the blackout process reaches the totality of the building and not just a room. The total blackout of an entire building has different implications and a greater symbolic component than listening to the sound dissection of a space within reach of the human ear. Notwithstanding, it is very unlikely, if not impossible, to witness each part of the process in its totality. When entire buildings are blackened out, it is better to say, “monitoring the process of silencing and blacking out of the building”, in the same way we listen to the process of data verification and countdowns previous to the launching of a spacecraft.
www.elsilencio.com
photo slideshow
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Tuesday, 19 November / listopad (wtorek) |
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GSR installation (open till Nvember 24) | |
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Wednesday, 20 November / listopad (środa) |
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Christian Blom (Oslo) On Composition about kinetic art, light and sound - workshop, presentation | |
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Thursday, 21 November / listopad (czwartek) |
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Christian Blom installation (open till November 24)
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Lejaren Hiller - Illiac Suite (1957)
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Wojciech Stanisław Janiszewski - elektronika, Bartosz Stępień - kontrabas
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Friday, 22 November / listopad (piątek) |
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Meetin' - Live Electronic Interactive Performance - Piotr Madej: music, instrument; Sania Rodobolska: dance, motion
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audio-video live performance
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Gegenschein - double-bass, video, electronics
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Saturday, 23 November / listopad (sobota) |
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Joseph Murphy (Mansfield) Saxophone selected - workshop | |
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One Sound Composition - workshop | |
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Joseph Murphy - saxophone, Matthew Slotkin - guitar
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Corpus Callosum - sax, circuit bending
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One sound composition with Lucie Vítková - accordion
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Sunday, 24 November / listopad (niedziela) |
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Jarek Kordaczuk, Agnieszka Kołodyńska - kontrabas, głos, elektronika
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Lightskin (Poznań) Strange Lóóp - Marta Romaszkan – dance, Patryk Lichota – light and audio programming
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Superstringtrio (Taipei, London) Mark van Tongeren, Rollin Rachele - Incognito ergo sum - harmonic singing
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Decibel (Perth) instruments, graphic iPad scores
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Nicolas Field (Geneve) Dovetailed - performance/installation
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Jürgen Eberhard (Bremen) Feine Trinkers bei Pinkels Daheim
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